A Frank Ford Gallery

Frank Wallis Ford (1906-1970). From “Woman’s Realm”, 19th September, 1970. Courtesy of the Ford family.

One of the most popular posts on the blog in recent years has been the one on the artist, illustrator, and cartoonist Frank Ford, published back in March 2018.  The suggestion has since been made (more than once) that a checklist of Ford’s known dust-jackets (and other book covers) might be a useful addition to the original post — so now, courtesy of the Ford collector Michael H., to whom I am much indebted (both for the list and for a number of the images) — here is an illustrated listing.

Ford is of course best-known to book-collectors for the sequence of jackets he provided for the novels of P. G. Wodehouse between 1946 and 1952 (all illustrated in the final gallery below) — and although there are similar clusters of Wodehouse jackets by single artists – a number by “Abbey” (one or other of the Van Abbé brothers) from the 1930s, four books in row between 1938 and 1940 by the gifted Ian Fenwick (tragically killed in action in France with the SAS in 1944), several by the German artist “Sax” (Rudolf Michael Sachs) from the 1950s, and a sustained group by Sir Osbert Lancaster from the 1960s and 1970s — it is Ford who has come to be seen as the archetypal Wodehouse artist, a fact tacitly acknowledged with the reprise of his 1950 design for Nothing Serious on the jacket of the Stephen Fry anthology of Wodehouse published as What Ho! in 2000. Interestingly, this seems to have been the only one of Ford’s Wodehouse designs also to be used on the American edition — his style was perhaps considered too “British” for the American market.

It would be interesting to know to what extent Wodehouse himself was influential in the choice of his jacket artists. It was perhaps a matter left mainly to his publishers, but he certainly took an interest and could make his feelings known — he once famously commented on the jacket supplied for Meet Mr Mulliner (1927): “God may have forgiven Herbert Jenkins Ltd. for the jacket of Meet Mr Mulliner, but I never shall”. On another occasion, he was more self-deprecating: “The best thing about Louder and Funnier is the jacket by Rex Whistler”, he wrote to a friend in 1932 (my thanks to Angus O’Neill for the latter reference). We have to believe that Ford met his very firm approval to have been invited to provide the jackets for nine Wodehouse books in a row, as well as fresh jackets for a number of reprints of earlier titles.

Ford’s other dust-jacket work was virtually all for the Jenkins stable of lesser-known authors — the crime-writer Leslie Cargill (1895-1964), and the lesser humourists: George Cecil Foster (1893-1975); “John Glyder”, i.e. Allen George Roper (1888-1957); the prolific and endlessly versatile Sydney Horler (1888-1954); John Aves Jowett (1921-1960), and “Peter Traill”, i.e. Guy Mainwaring Morton (1896-1968). I suppose it was partly a matter of marketing, a subliminal message that if you liked Wodehouse, you would probably like these other chaps too — and why not? They are all authors still capable of raising a modest smile, and in these trying times that is something to be unreservedly thankful for. And as an evocation of the mores of forgotten times and a world of innocence now lost, they are perfect in their quiet way.

Below is a complete listing of the Ford jackets and covers as far as is known — but these things are always provisional.  There is a query over one title: Ford certainly provided the illustrations for Alec Waugh’s 1937 collection of short stories, but whether he also worked on the dust-jacket is uncertain. Someone, somewhere, must surely have a copy in a jacket to settle the question. Do please get in touch if you have. And if anyone has additional titles or illustrations to add (or even just better images of those already here) – then I would be delighted to hear of them.



Matrimony Most Murderous. London: Herbert Jenkins, 1949.


Most Delicious Poison. London: Herbert Jenkins, 1951.


Why Should Penguins Fly?  London: Robert Hale, 1937.


You Needn’t Laugh. London: Methuen & Co., 1935.


Digby’s Holiday.  London: Shaw’s Children’s Books, 1951.

  • Leslie Cargill, Matrimony Most Murderous
  • Charles Connell, Most Delicious Poison


Peace Among the Pelicans.   London: Herbert Jenkins, 1949.

Hooked on the Line.  London: Herbert Jenkins, 1950.

The Professor’s Whiskers.  London: Herbert Jenkins, 1951.

Come as You Are.  London: Herbert Jenkins, 1952.


Rude Awakening.  London: Herbert Jenkins, 1948.

Flaming June.  London: Herbert Jenkins, 1949.

April’s Fool.  London: Herbert Jenkins, 1951.


Man Alive.  London: Herbert Jenkins, 1947.

The Man with Three Wives.  London: Herbert Jenkins, 1947.

Haloes for Hire.  London: Herbert Jenkins, 1948.

The Beacon Light.  London: Herbert Jenkins, 1949.

Wedding Bells.  London: Herbert Jenkins, 1950.

Girl Trouble.  London: Herbert Jenkins, 1951.

  • Sydney Horler, Man Alive
  • Sydney Horler, The Man with Three Wives
  • Sydney Horler, Haloes for Hire
  • Sydney Horler, Beacon Light
  • Sydney Horler, Wedding Bells
  • Sydney Horler, Girl Trouble


Travellers’ Joy.  London: Herbert Jenkins, 1950.

The Prince of Suavia.  London: Herbert Jenkins, 1954.


Mutation Mink.  London: Herbert Jenkins, 1950.

French Dressing.  London: Herbert Jenkins, 1951.


??? Eight Short Stories.  London: Cassell & Co., 1937. (No image).


Money in the Bank.  London: Herbert Jenkins, 1946.

Joy in the Morning.  London: Herbert Jenkins, 1947.

Full Moon.  London: Herbert Jenkins, 1947.

Spring Fever.  London: Herbert Jenkins, 1948.

Uncle Dynamite.  London: Herbert Jenkins, 1948.

The Mating Season.  London: Herbert Jenkins, 1949.

Piccadilly Jim.  London: Herbert Jenkins, 1950? (reprint.)  

Nothing Serious.  London: Herbert Jenkins, 1950.

Nothing Serious.  New York: Doubleday & Co., 1951.  

The Old Reliable.  London: Herbert Jenkins, 1951.

The Adventures of Sally.  London: Herbert Jenkins, 1951? (reprint). 

Barmy in Wonderland.  London: Herbert Jenkins, 1952.

Doctor Sally.  London: Herbert Jenkins, 1952 (reprint).

What Ho! The Best of P. G. Wodehouse.  London: Hutchinson, 2000.

About Laurence Worms - Ash Rare Books

Laurence Worms has owned and run Ash Rare Books since 1971. He represented the antiquarian book trade on the (British) National Book Committee from 1993 to 2002 and has been six times an elected member of the Council of the Antiquarian Booksellers’ Association. He was largely responsible for drafting the Association’s Code of Good Practice first introduced in 1997 (and its recent update), served as Honorary Secretary of the Association from 1998 to 2001 and as President from 2011 to 2013. He is a former member of the Council of the Bibliographical Society and continues to serve on the Council of the London Topographical Society. He writes and lectures on various aspects of the history of the book and map trades, and has lectured at the universities of Cambridge, London, Reading and Sheffield, as well as at the Bibliographical Society, the Royal Geographical Society, the Warburg Institute, the National Library of Scotland and at Gresham College and Stationers' Hall. Published work includes the compilation of fourteen ‘lives’ for the “Oxford Dictionary of National Biography”, a number of articles for “The Oxford Companion to the Book” and the chapter on early English maps and atlases for the fourth volume of “The Cambridge History of the Book in Britain”. Essays on the British map trade are also appearing in “The History of Cartography” published by the University of Chicago Press. His long-awaited “British Map Engravers”, co-written with Ashley Baynton-Williams, was published to critical acclaim in 2011. He also contributed the numerous biographical notes to Peter Barber’s hugely successful “London : A History in Maps”, co-published by the British Library and the London Topographical Society in 2012.
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4 Responses to A Frank Ford Gallery

  1. Pingback: Frank Ford | The Bookhunter on Safari

  2. Linden Ford says:

    Thank you so much for this wonderful and joyful post! I used to search the internet on and off for any mention of Frank Ford, but he seemed to have disappeared without trace. It was sad to think that his lifetime of talent, experience, and hard work would be lost to posterity. But with your two blog posts about him you have single-handedly reinstated him, Laurence, for which I am most grateful.
    And grateful too to the collector(s) without whom this may well not have happened?!

    Liked by 1 person

    • Thank you for your kind remarks – but your father has been an enormous pleasure to research – and “single-handedly” is a bit of a stretch. You and your brother, Nick, were immensely helpful over the first post and the second is almost entirely the work of Frank Ford collector, Michael H., to whom the real thanks are due. All best wishes, Laurence.


  3. celia longe says:

    I enjoyed reading this as I have been learning about my Grandfather, Leslie Cargill and his books.
    I had no idea that his books were still available and collected by some people. I have now ordered a couple and look forward to reading them. I was always led to believe that they were ‘unreadable” for some undefined reason and unavailable. I realise that the collectors interest is due to the dust jackets by Frank Ford and am grateful that that means his books are still out there.
    Regards C Longe


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